DVD features
The most intriguing feature on the two-disc DVD is probably the six-minute sequence featuring a new song performed by the two engine-room characters, Smokey and Steamer. The animation is crude and the song is nothing special, but it does preserve the dual performances of Michael Jeter (he played both characters), who passed away during filming. One of the striking aspects of The Polar Express is its use of motion-capture technology to turn real actors into animated characters, and that is examined in a significant portion of the five-part 11-minute featurette, in the "look at" Tom Hanks's multiple performances, and in an Easter egg that offers a side-by-side comparison of the actors in their motion-capture suits with the finished film in the "Hot Chocolate" number. There's also a live performance of Josh Groban singing "Believe" followed by an interview segment with him and composer Alan Silvestri, author Chris Van Allsburg providing a five-minute capsulization of his career, a PC game demo, and a kids' set-top game. The version of the film on DVD is the standard theatrical version, not the 3-D version seen in IMAX theaters. --David Horiuchi

The World of The Polar Express

The book by Chris Van Allsburg

The Soundtrack

The Magic Journey (Polar Express the Movie) (book)

Stills from Polar Express (click for larger image)

Co-written by the team of David S. Goyer (a veteran comic book writer) and director Christopher Nolan (Memento), Batman Begins is a welcome return to the grim and gritty version of the Dark Knight, owing a great debt to the graphic novels that preceded it. It doesn't have the razzle dazzle, or the mass appeal, of Spider-Man 2 (though the Batmobile is cool), and retelling the origin means it starts slowly, like most "first" superhero movies. But it's certainly the best Bat-film since Burton's original, and one of the best superhero movies of its time. Bale cuts a good figure as Batman, intense and dangerous but with some of the lightheartedness Michael Keaton brought to the character. Michael Caine provides much of the film's humor as the family butler, Alfred, and as the love interest, Katie Holmes (Dawson's Creek) is surprisingly believable in her first adult role. Also featuring Gary Oldman as the young police officer Jim Gordon, Morgan Freeman as a Q-like gadgets expert, and Cillian Murphy as the vile Jonathan Crane. --David Horiuchi

A spaceship crashes on a desert planet scorched under three suns. The mostly doomed survivors include a resourceful captain (Radha Mitchell), a drug-addled cop (Cole Hauser), and a deadly prisoner (Vin Diesel) who quickly escapes. These clashing personalities discover that the planet is plunging into the darkness of an extended eclipse, and it's populated by hordes of ravenous, razor-fanged beasties that only come out at night. The body count rises, and Pitch Black settles into familiar sci-fi territory.

What sets the movie apart is Twohy's developing visual style, suggesting that this veteran of B-movie schlock may advance to the big leagues. Like the makers of The Blair Witch Project, Twohy understands the frightening power of suggestion; his hungry monsters are better heard than seen (although once seen, they're chillingly effective), and Pitch Black gets full value from moments of genuine panic. Best of all, Twohy's got a well-matched cast, with Mitchell (so memorable with Ally Sheedy in High Art) and Diesel (Pvt. Caparzo from Saving Private Ryan) being the standouts. The latter makes the most of his muscle-man role, and his character's development is one more reason this movie works better than it should. --Jeff Shannon

Dark Fury - The Chronicles of Riddick (Animated)
Taking a page from The Animatrix, Dark Fury is part of a new trend of bridging theatrical sequels. As an official product of a franchise, the 35-minute anime benefits from having the original actors voice the characters, including Vin Diesel as Riddick. This story opens with the new action hero and the two other survivors of Pitch Black already caught by a giant spaceship filled with dread. The sinewy leader has a unique--and creepy--jail for master villains and she has her sights set on Riddick. The film--indeed the series--is indebted to animator Peter Chung, who brings his techno style from his Aeon Flux series. His smooth animation for Riddick doesn't reinvent the character as much as give him a new, appealing fluidity. As anime goes, there's nothing really new here--plenty of action, cool killers, and dramatic spurts of blood--but it's a building block for how this genre might enliven movie series and sequels in the future. --Doug Thomas

Stills from Final Fantasy VII: Advent Children (click for larger image)

More Final Fantasy VII: Advent Children at Amazon.com

Final Fantasy VII The Game

Final Fantasy VII Sephiroth Action Figure

Final Fantasy VII The Soundtrack

Running parallel with this dark yet irresistible adventure, told in flashback vignettes, is the almost inexplicable sight of Jamal winning every challenge on "Who Wants to Be a Millionaire?," a strong showing that leads to a vicious police interrogation. As Jamal explains how he knows the answer to every question on the show as the result of harsh events in his knockabout life, the chaos of his existence gains shape, perspective and soulfulness. The film's violence is offset by a mesmerizing exotica shot and edited with a great whoosh of vitality. Boyle successfully sells the story's most unlikely elements with nods to literary and cinematic conventions that touch an audience's heart more than its head. --Tom Keogh

Stills from Slumdog Millionaire (Click for larger image)